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The Heart / Love Connection

Painting Love

http://the-heart-attack.com/painting-love

MY SWEET ANJELISA!
(i discovered this hysterical email in my inbox this morning)
Hi, how are you?Today  is nice weather  and I have  a good mood.  I want to tell you that we  know each other few but I would like to know more about you. Because we  already had interest to each other oneday on the dating site. But now I  don’t visit any dating site. I only have your e-mail.  And now I would  like to continue our conversation with you, if you are interested. I  think if you still looking for girl of your life then we could try to  find out more about each other, right?I would like to tell you that  already in March I was trying to tell with man, I had an interest to him  at the beginning. But after some short time he asked me to send him a  naked pictures of me. Even we didn’t  know each other good.  And I never  send it to him, because I’m not playing by internet.  I think I’m a  girl who respect myself and my culture, and my nature.  I would never  send my naked body by internet - it would be abjection for me. And I  lost all interest to that men and never write him again. It’s already 3  month went from that time.But I hope you are another man. And you can respect the right girl.  And you never ask things like that.I  don’t want to tell more about myself right now. But I want to tell you  that I’m diverse girl and I take care about myself.  I like sport and  have many others hobbies.I’m 31 years old. I live in Azerbaijan  alone and don’t have a kids.  My country located at the Caucasus. And  not so long ago we took a first place on the Eurovision. We had a great  holiday after it here, and all peoples were happy.  I think you could  see it on the TV.Ok, I would not write more today/ Because  I’m not  sure if you want all this. Or maybe you already have a wife or girl friend.Sorry if you already have somebody. Just don’t answer my letter then.But if you really look for  serious relations and don’t want to play in internet that I would be happy to continue.I hope you will like me.  I send you my pictures and say hello from Azerbaijan.Hope to get your soon answer and your new picture.Anjelisa

MY SWEET ANJELISA!

(i discovered this hysterical email in my inbox this morning)

Hi, how are you?
Today is nice weather  and I have  a good mood.  I want to tell you that we know each other few but I would like to know more about you. Because we already had interest to each other oneday on the dating site. But now I don’t visit any dating site. I only have your e-mail.  And now I would like to continue our conversation with you, if you are interested. I think if you still looking for girl of your life then we could try to find out more about each other, right?
I would like to tell you that already in March I was trying to tell with man, I had an interest to him at the beginning. But after some short time he asked me to send him a naked pictures of me. Even we didn’t  know each other good.  And I never send it to him, because I’m not playing by internet.  I think I’m a girl who respect myself and my culture, and my nature.  I would never send my naked body by internet - it would be abjection for me. And I lost all interest to that men and never write him again. It’s already 3 month went from that time.
But I hope you are another man. And you can respect the right girl.  And you never ask things like that.
I don’t want to tell more about myself right now. But I want to tell you that I’m diverse girl and I take care about myself.  I like sport and have many others hobbies.
I’m 31 years old. I live in Azerbaijan alone and don’t have a kids.  My country located at the Caucasus. And not so long ago we took a first place on the Eurovision. We had a great holiday after it here, and all peoples were happy.  I think you could see it on the TV.
Ok, I would not write more today/ Because  I’m not  sure if you want all this. Or maybe you already have a wife or girl friend.
Sorry if you already have somebody. Just don’t answer my letter then.
But if you really look for  serious relations and don’t want to play in internet that I would be happy to continue.
I hope you will like me.  I send you my pictures and say hello from Azerbaijan.
Hope to get your soon answer and your new picture.
Anjelisa

Here is a short experimental film that accompanies my “You Are Safe” photo exhibit - check PiccoloSpoleto.com or www.youaresafe2011.wordpress.com - P&L, justin

The City of Charleston Office of Cultural Affairs presents You are Safe, a Piccolo Spoleto Festival exhibition at Rick Rhodes Art Gallery. You Are Safe is a multidisciplinary exhibition focusing on the collaboration between three artists: Tina Christophillis, Justin Nathanson and Brit Washburn. You Are Safe will be on view from May 20, 2011, through June 25, 2011, and the public is invited to an opening reception on May 20, 2011, from 6 p.m. to 10 p.m.
The beginning of the collaboration was sparked by a chance meeting between Brit Washburn and Tina Christophillis. Both artists were participating in a singer-songwriter event at the Charleston Pour House. Christophillis was able to graphically capture the text, tone and imagery of the musicians’ lyrics and the poets’ words in a wholly unmediated and captivating way. Through this meeting a project was initiated with the impulse to explore city life, relationships and their connection. It wasn’t long before filmmaker Justin Nathanson was asked to join the group and an artistic cross-pollination happened, as though one had infiltrated the deep sub-consciousness of the other and in so doing transformed the very molecular structure of the other’s aesthetics to a startling effect. Only in a state of complete dis-inhibition is such a collaboration possible and it is in this respect an enactment and manifestation of the concept You Are Safe came to be.
The issue of safety rose out of wanting to share artistic visions freely, and honestly. Nothing was to be judged, and everything was to be imagined. The realization arose that each of us has complete creative freedom at any given time, and that the only thing which comes in the way of that is thought. Working to rise above the intrusion of thought, the artists worked against reason, and in service of intuition. Working from this place of safety and non-judgment, the artists began working independently, inspired by their interaction.
As the collaboration moved forward, Christophillis was inspired to move inward. She began to explore the figure in timeless situations, alone in a city, room, or corridor, under a tree, holding an animal, stepping out into the light. In eliminating detail in her paintings, her figures become “everyman,” and emanating something we can all connect to on an intuitive level.    This collaboration offered Christophillis safety to explore imagery that is evocative, suggestive, and relevant to all.
By video and audio taping every meeting, Justin Nathanson began to work directly with the collaborative dialogue. Playing further on the issue of safety, Nathanson began photographing figures in the dark, almost running from and moving towards their shadows – or, themselves. Several main photographs riff even further on the theme of safety, moving into the literal – personal safety. Nathanson will have avant-garde video installation and several smaller audio pieces that will accompany his photography.
Over the course of Brit Washburn’s acquaintance with Christopholis, Nathanson, and their work, Washburn found herself preoccupied with the artists’ images and questions posed in conversation with them. Her poems of the past several months investigate the concept of “safety” in various forms, delineating the experience in a lyric-narrative style reflective of the artists’ influence.

The City of Charleston Office of Cultural Affairs presents You are Safe, a Piccolo Spoleto Festival exhibition at Rick Rhodes Art Gallery. You Are Safe is a multidisciplinary exhibition focusing on the collaboration between three artists: Tina Christophillis, Justin Nathanson and Brit Washburn. You Are Safe will be on view from May 20, 2011, through June 25, 2011, and the public is invited to an opening reception on May 20, 2011, from 6 p.m. to 10 p.m.


The beginning of the collaboration was sparked by a chance meeting between Brit Washburn and Tina Christophillis. Both artists were participating in a singer-songwriter event at the Charleston Pour House. Christophillis was able to graphically capture the text, tone and imagery of the musicians’ lyrics and the poets’ words in a wholly unmediated and captivating way. Through this meeting a project was initiated with the impulse to explore city life, relationships and their connection. It wasn’t long before filmmaker Justin Nathanson was asked to join the group and an artistic cross-pollination happened, as though one had infiltrated the deep sub-consciousness of the other and in so doing transformed the very molecular structure of the other’s aesthetics to a startling effect. Only in a state of complete dis-inhibition is such a collaboration possible and it is in this respect an enactment and manifestation of the concept You Are Safe came to be.


The issue of safety rose out of wanting to share artistic visions freely, and honestly. Nothing was to be judged, and everything was to be imagined. The realization arose that each of us has complete creative freedom at any given time, and that the only thing which comes in the way of that is thought. Working to rise above the intrusion of thought, the artists worked against reason, and in service of intuition. Working from this place of safety and non-judgment, the artists began working independently, inspired by their interaction.


As the collaboration moved forward, Christophillis was inspired to move inward. She began to explore the figure in timeless situations, alone in a city, room, or corridor, under a tree, holding an animal, stepping out into the light. In eliminating detail in her paintings, her figures become “everyman,” and emanating something we can all connect to on an intuitive level.    This collaboration offered Christophillis safety to explore imagery that is evocative, suggestive, and relevant to all.

By video and audio taping every meeting, Justin Nathanson began to work directly with the collaborative dialogue. Playing further on the issue of safety, Nathanson began photographing figures in the dark, almost running from and moving towards their shadows – or, themselves. Several main photographs riff even further on the theme of safety, moving into the literal – personal safety. Nathanson will have avant-garde video installation and several smaller audio pieces that will accompany his photography.

Over the course of Brit Washburn’s acquaintance with Christopholis, Nathanson, and their work, Washburn found herself preoccupied with the artists’ images and questions posed in conversation with them. Her poems of the past several months investigate the concept of “safety” in various forms, delineating the experience in a lyric-narrative style reflective of the artists’ influence.